Out of the Cool

£8.99£12.50

Catalogue No: MSV 28510
EAN/UPC: 809730851025
Artists: ,
Composers: , , , , ,
Release Date: June 2009
Genres: , ,
Periods:
Discs: 1
Total Playing Time: 70:16

A recital of works for flute and piano by British composers, this CD includes world premier recordings and introduces music that will undoubtedly enter the standard repertoire. Beautifully performed, a gem of a program.

Track Listing

    Richard Rodney Bennett:
  1. Winter Music - I. Recitativo (3:03)
  2. Winter Music - II. Allegro (2:15)
  3. Winter Music - III. Lento e mesto (5:38)
  4. Robert Saxton:
  5. Krystallen (6:39)
  6. Cecila McDowall:
  7. The Moon Dances - I. Paper Sea and Silver Coins (4:00)
  8. The Moon Dances - II. Black with Shadow and Wolves (5:39)
  9. The Moon Dances - III. The Red Star Trembles (4:17)
  10. Arthur Butterworth:
  11. Aubade, Op. 53 (5:01)
  12. Richard Rodney Bennett:
  13. Summer Music - I. Allegro tranquillo (3:17)
  14. Summer Music - II. Siesta: Lento e dolce (3:43)
  15. Summer Music - III. Games: Vivo (3:20)
  16. David Heath:
  17. Out of the Cool 6:37)
  18. Brian Lock
  19. Sonata for Flute and Piano - I. Vivement (5:01)
  20. Sonata for Flute and Piano - II. Cantado (5:41)
  21. Sonata for Flute and Piano - III. Furioso (5:58)

Reviews

MusicWeb International

Susan Milan is an influential exponent of the modern flute. Her playing has a unique voice within the flute world… Milan’s playing is expertly accompanied by pianist Andrew Ball. This is an excellent collection of new British repertoire, which gives the works well-deserved exposure. Milan plays with a strong tone and a sense of conviction as well as impressive technical control. Andrew Ball’s piano playing is excellent throughout.

” —Carla Rees
International Record Review

This recital could hardly be bettered… one can hardly imagine any [of the pieces] being better performed. Sparkling performances… excellent recorded sound.

” —Martin Anderson
Pan, the Flute Magazine

Miss Milan has the full measure of the expressive and technical demands of these works, and is to be thanked for giving us a stimulating recital which will, it is to be hoped, encourage other players to seek out and champion British music of this quality.

” —Christopher Steward