Beyond the River God: Music for Harpsichord

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Catalogue No: DDA 25120
EAN/UPC: 809730512025
Artists:
Composers: ,
Release Date: February 2015
Genres: ,
Periods: ,
Discs: 1
Total Playing Time: 78:25

A selection of works by the greatest harpsichord composer of all — François Couperin, and from contemporary British composer Graham Lynch, who is a very worthy successor with music that is expressive, descriptive, deep and exceptionally rich, showing that the harpsichord is capable of real expression.

The Lynch pieces are receiving their first recordings. Established virtuoso Assi Karttunen is from Finland and this is her first album for Divine Art, and a showcase for her amazing talent at the keyboard.

Track Listing

    François Couperin:

  1. . L’art de toucher le clavecin − Cinquième prélude (2:43)
  2. Graham Lynch:

  3. I. Beyond the River God − Rondeau I (3:51)
  4. II. Beyond the River God − Couplet I (4:23)
  5. III. Beyond the River God − Rondeau II (3:02)
  6. IV. Beyond the River God − Couplet II (4:00)
  7. V. Beyond the River God − Rondeau III (3:36)
  8. François Couperin:

  9. . Ordre 2ième de clavecin − Les idées heureuse (5:31)
  10. Graham Lynch:

  11. Admiring Yoro Waterfall (5:15)
  12. François Couperin:

  13. Ordre 23ième de clavecin – Les gondoles de Delos (8:05)
  14. Graham Lynch:

  15. Petenera – I, Bell (2:34)
  16. Petenera – II. The Six Strings (1:54)
  17. Petenera – III. Dance (2:32)
  18. Petenera – IV> De Profundis (3:39)
  19. Ay! (3:42)
  20. François Couperin:

  21. . Ordre 27ième de clavecin − L’exquise (4:17)
  22. . Ordre 27ième de clavecin − Les Pavots (7:31)
  23. Graham Lynch:

  24. I. Present-Past-Future-Present − I. Present (4:21)
  25. II. Present-Past-Future-Present − II. Past (3:04)
  26. . Present-Past-Future-Present − III. Future (2:44)
  27. Secret Prelude (1:36)

Reviews

The Chronicle

Enjoyable CD … Couperin’s melodies sound very modern. Karttunen is an accomplished player … she knows her stuff. It’s very more-ish and highly recommended.

” —Jeremy Condliffe
HBL

Assi Karttunen plays everything with flying colours. Ultimately the idea of combining Lynch with Bach’s and Rameau’s contemporary shows that they are not so distant.

” —Wilhelm Kvist
Finnish Broadcasting Company

An unusual but well-though-out combination. Lynch gets the music to resonate fully with meanings and connotations, and the border between the heard and the unheard gets blurred, like Karttunen wishes. The playing is well-weighted, free and flexible. . As a whole the recording takes shape of an extraordinary and exciting harpsichord CD able to charm music lovers, the period music fans as well as the broad-minded modern music enthusiasts.

” —Kare Eskola
Tempo

Although the period-instrument movement is commissioning new works, it is still only in isolated cases that new compositions are produced for the baroque instrument. British composer Graham Lynch (b.1957) has a fascinatingly rich harpsichord repertory, and a couple of years ago it grew by two harpsichord suites commissioned by Assi Karttunen. Now Karttunen has linked […]

” —Auli Särkiö
Fanfare

What I find spellbinding about [Lynch’s] music is that it is wedded to the harpsichord in the same way that the music of the French Baroque clavecinists, personified by Couperin, was wedded to the instrument. Fashioning a program of works by Couperin and Lynch was a stroke of genius. That [Karttunen’s] playing equals her musical perspicacity, not to mention her informative and articulate album note, really pays dividends in this amazing venture to unite the voices of two composers from across a divide of three centuries. Stunning performances of stunning music, stunningly recorded. What more can I say?

” —Jerry Dubins
Music For All Seasons

An imaginative collection … one welcomes this fascinating album as an important addition to one’s music library. Assi Karttunen is the peerless interpreter… She is an ever assured yet conservative musician, neither erring on the side of caution nor overplaying the ornamentation. Her touch is definitive and her phrasing elegant. The album is handsomely packaged and designed … a musical journey well worth exploring by any lover of music for the harpsichord.

” —Rafael de Acha
Fanfare

Karttunen’s playing on this disc is beyond reproach: well ordered, rhythmically flexible, and sensitive. The uncredited harpsichord is sonorous and well balanced, and has been faithfully captured by the recording engineer. Altogether, this is a refreshingly different and satisfying harpsichord recital, one that is warmly recommended.

” —Christopher Brodersen
The Consort

An interesting mix of old and new which is not always a happy combination, but here is very fine and certainly well worth repeated listening. Assi Karttunen is a fine player with a great sense of colour and shading … her ornamentation is exquisite. It is refreshing to hear contemporary music which is so well attuned to the character of the harpsichord. this disc is a refreshing one, and I would certainly recommend it strongly.

” —Douglas Hollick
The Whole Note

This intriguing program of music for solo harpsichord makes unexpected but successful partners of Baroque France’s great François Couperin, who died in 1733, and the gifted English composer Graham Lynch, who is still very much alive. Where Karttunen really shines is in Lynch’s music for her instrument, which reflects both a panoply of stylistic influences and a well-nuanced understanding of how to compose for the harpsichord. The recorded sound is beautiful, and Karttunen’s notes offer much food for thought. The combining of old and new music can be tricky alchemy, but this experiment is a happy success.

” —Alison Melville
Composition Today

The surface of the Lynch works abound with generous and attractive melodic writing and, even when the harmony is nicely unpredictable, the extensive use of pivot pitches always keeps the music centred. I have to say, the quality of Lynch’s writing is very much a match for that of his illustrious predecessor. Not that it’s a matter of competition, since the two styles sit very comfortably together… the performances strike me as stylish and assured. In the Lynch Karttunen plays with verve, commitment and a total grasp of the structural issues at play. A highly rewarding disk.

” —Christian Morris
MusicWeb

I was delighted, inspired and impressed by Assi Karttunen’s playing.[Couperin’s] music is imaginative, often exciting and always well-wrought. Lynch is certainly a fine composer. Application of the concept of playing François Couperin and Graham Lynch back-to-back has been highly successful. The Baroque works are full of charm and interest whilst the modern pieces are approachable, well-crafted and musically satisfying. The performance of both Couperin and Lynch is ideal.

” —John France