This is a valuable reissue of a CD Peter Katin made a little over ten years ago. He plays a Clementi square piano of around 1832, and the intimacy of the recording, made in his own studio, provides a fairly accurate idea of what the pianist of that time must have heard in his or her drawing room. The delicate sound of the instrument is a decided asset throughout, and it really come into its own in the quietly rippling arpeggios that run through the outer sections of the Fourth Impromptu from D.899.
In the opening piece, with its melancholy march-like theme, Katin very effectively treats the coda as a sort of nostalgic envoi, playing it at a slower tempo; and the warmth of this playing also stands him in good stead in the F minor Impromptu that begins D.935. In his booklet notes, Katin cites the famous B flat Impromptu as a piece he particularly admires, though he plays its variations in lingering and slightly piecemeal fashion. More disappointing is the last F minor Impromptu, which is definitely on the sedate side. This is more a question of character than tempo: Radu Lupu, for instance, is even slower, but he injects more drama into the music, and his version of the Impromptus is in any case so wonderfully engaging that it has to be a first choice. However, those wanting a period-piano performance will find a good deal to enjoy in Katin’s undemonstrative and unfailingly musical playing. Performance **** Sound ****
RT @RobFokkens Luis Tinoco's programme on my chamber music broadcast on Portuguese classical music station Antena 2 is available here: rtp.pt/play/p285/geo… The programme's archive is well worth an explore! @ComposersEd @cardiffunimusic @DivineArtRecord
RT @heather_roche On last night's #LateJunction, there was some @fantasticdrfox on the ol' contrabass clarinet. honkhonk. honkhonkhonk. honk. (And lots of other good stuff as well!) bbc.co.uk/programmes… @BBCRadio3