Dublin’s Soprano Elizabeth Hilliard has a wonderfully full voice, a great range and the musical imagination to bring life to contemporary ambient soundscapes. Her recent album Sea to the West (Metier 28551) shows this admirably well, in a program of six works for solo voice plus occasional multitracking and electroacoustic enhancement.
New works mostly from this century provide thoughtful ear fare, with two works apiece by Christopher Fox (“Sea to the West”  and “Magnification” [1978-80] and Grainne Mulvey (“Phonology Garden”  and “Eternity is Now” ) plus single opuses by Linda Buckley (“Numarimur” ), and David Bremner (“logic ballad #2: The guarded tourist makes the guide the test” ).
The only given is Elizabeth’s flexibly alive voice and a sense of open presence. Every work is evocative of association of place or earth, presence and poetic memory, all taken in its widest sense.
Time seems to stand still in the suspended vocal world unveiled. This is introspective music that puts the listener in a ravishing but ultimately spare and rarified zone.
The composers and Elizabeth’s wonderful voice make it all work. This is not contemporary fireworks to awe the soul so much as an intimate hour or so with poetic depth.
To the thinkers and musically sensitive beings out there, this is a captivating change of pace.
Look out for information coming your way on our four April releases – all now available for pre-order: Innovations – music for two pianos & percussion Artyomov: Sola Fide Joshua Fineberg: #SonicFictions Basil Athanasiadis: Soft Light divineartrecords.com pic.twitter.com/EIwm…
“The composer is right when he says the collection shows how a great player can make an instrument speak in so many voices… [@heather_roche] is an accomplished clarinettist.” (@CongletonChron) Full Review: ow.ly/q1qJ30j5hx7 pic.twitter.com/0Uyw…