Svenska Dagbladet

The piano and chamber music on the new album by the Swedish composer Jonathan Östlund also carries a theme, namely: the night in all its guises. We encounter, throughout sixteen pieces, personages of the nocturnal world, both real and imaginary, and although we recognise Impressionism and Romanticism Östlund’s expression is strong at all times and completely his own.

—Sofia Lilly Jönsson